The Breeders started as a side-project, and the Pacer LP was made as a side-project from that once the Breeders became a full-time thing. Although featuring a different name and line-up, these are still Kim Deal songs sung by Kim Deal, and I consider it to be, in effect, my favourite Breeders record.
Featured on the 1987 4AD Compilation “Lonely Is An Eyesore”, this track showed the sampling skills of brothers Martyn and Steven Young, recording as Colourbox. Soon after, under the M|A|R|R|S guise, they would have a UK number one hit single with a tune based largely on samples from other records - but Hot Doggie samples from TV and film.
The fourth and final LP from School of Seven Bells was completed without main songwriter Benjamin Curtis, who sadly died young in 2013. But it’s a fine record, and the opening track, Ablaze, is a highlight from 2016 - a year of many highlights.
This is the first of three songs featuring Scottish singer Dot Allison.
Here she features on vocals (and co-writing) on Dirge, the opening track from The Contino Sessions, a classic album by Death In Vegas.
Scot composer and musician Anna Meredith combines electronica with classical instruments to produce music that has connections to past yet which still sounds fresh and modern.
This is a great song. And Pesky is surely a genius name for a band of kids?
I’m writing this in April 2020, as we approach the 10th anniversary of the release of Pull In Emergency’s eponymous album - and it’s almost certainly my most-played LP since it came out. It’s a very fine piece of work - from a band that were in their mid-teens when it was made.
With Natalie Imbruglia’s take on the Ednaswap song “Torn”, I’d suggest that we are getting into the relatively small list of “covers that sound better than the original” - regardless of whether you consider the “original” to me Ednaswap or Lis Sørensen.
This is my most-played tune since I moved all my music into iTunes (now Apple Music) about 15 years ago - yet the version I play was never released.